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Soden Bizen
Yoshikage
Juyo token by the NBTHK
Article By: David E. J. Pepin, © 2005
"YOSHIKAGE", IS ONE OF THE MOST HIGHLY RESPECTED MAKERS OF THE "LATE
KAMAKURA" ~ "NAMBOKUCHO" PERIOD'S. HIS FIRST WORKS APPEARED IN ABOUT "KEM-MU"
1334 AD. HE BEGAN HIS STUDIES WITH "CHIKAKAGE", AND IS BELIEVED TO BE HIS SON.
HE IS ALSO SAID ( THE ANCIENT RECORDS ARE NOT CLEAR ) TO BE THE SON OF "KAGEMITSU"
( WHO IS THE FATHER OF "KANEMITSU" ), ONE OF THE "TOP FIVE" MAKERS OF HIS ERA.
"CHIKAKAGE" "KA-REKI 1326" PERIOD, ONE OF THE FOREMOST LATE KAMAKURA MAKERS, AND
STUDENT OF THE EXCEPTIONALLY FAMOUS "NAGAMITSU". THE LAST COMMONLY BELIEVED
THEORY, IS THAT HE IS THE SON OF "CHIKAFUSA" 2 nd. GEN., WHO WAS OF THE LATER
"FUKUOKA ICHIMONJI" MON. THIS WOULD MAKE "CHIKAKAGE" HIS OLDER BROTHER.
"YOSHIKAGE'S" BLADES BEAR A STRONG RESEMBLANCE TO THOSE OF "KANEMITSU", AND "CHOGI"
BOTH STUDENTS OF "MASAMUNE". OUR BLADE, BEARS THE "SAYA-GAKI" ( ATTRIBUTION ON
THE SCABBARD ), TO "BIZEN KANEMITSU" FIRST GENERATION ( KO-DEN ). THIS WAS DONE
IN "1964" BY, "DR. KANZAN SATO", ONE OF THE FOREMOST EXPERTS WHO EVER LIVED. HE
WAS ALSO ONE OF THE "FOUNDERS" ( WITH DR. HOMMA ), OF THE "NBTHK". I HAD THE
HONOR OF KNOWING HIM. THE DECISION OF THE SHINZA TEAM COULD CHANGE TO BE IN
CONCURRENCE WITH THE "SAYA-GAKI", IF THE BLADE WERE RE-SUBMITTED. SHOULD THIS
COME TO PASS, THE BLADES VALUE WOULD APPROXIMATELY DOUBLE. IT IS NEARLY
IDENTICAL TO THE "KANEMITSU'S" THAT I HAVE SEEN. IN "DR. HOMMA'S" BOOK ( THE
MOST AUTHORITATIVE LIST OF SWORD MAKERS EVER WRITTEN ), THERE ARE ONLY TWO JUYO
KATANA'S, AND ONE JUYO TACHI RECORDED, YOSHIKAGE'S WORKS ARE SCARCE. IN ANY
EVENT IT IS ONE OF THE "MOST EXUBERANT, AND IMPRESSIVE" JUYO BLADES WE HAVE EVER
OFFERED.
"BIZEN PROVINCE" THE PINNACLE OF SWORD PRODUCTION.
"BIZEN", IS THE ONLY PROVINCE THAT HAS EXPERIENCED CONTINUOUS SWORD PRODUCTION
FROM THE "HEIAN PERIOD", TO THE "SHIN-SHINTO" PERIOD. THUS EXPERIENCED SWORD
SMITHS OF HIGH LEVELS, WERE ABUNDANT. IT IS QUITE APPARENT THAT EVERY EFFORT WAS
MADE BY HISTORIANS TO ACCURATELY RECORD THE STATISTICS, AND GENEALOGY'S OF THE
BIZEN KAJI (SWORD MAKERS). DUE TO THE UNBELIEVABLY LARGE NUMBER OF MAKER'S,
AND BRANCHES IN THIS CONCENTRATED AREA, THE TASK PROVED TO BE EXTREMELY
DIFFICULT, AND RESULTED IN CONFUSION IN MANY CASES. IT IS QUITE DIFFICULT TO
FIND TWO REFERENCES THAT CONCUR WITH EACH OTHER. THROUGHOUT THE HISTORY OF SWORD
MAKING, BIZEN PROVINCE WAS DOMINATE. BIZEN PROVINCE. POSSESSED ALL OF THE
NECESSARY ELEMENTS, AND REQUIREMENTS FOR SUCCESSFUL SWORD MAKING. "BIZEN TETSU"
( IRON ) WAS EXCEPTIONALLY PURE, AND OF THE HIGHEST QUALITY. THE WATER SUPPLY
FROM THE "ASAHI GAWA", AND "YOSHII GAWA" RIVERS WAS VERY PURE. THE SOIL PRODUCES
FINE WOOD, FROM WHICH SOME OF THE "HIGHEST GRADE CHARCOAL" EVER SEEN IS
PRODUCED, EVEN TO THIS DAY! THE OTHER SIGNIFICANT FACTOR, IS THE SUPPLY ROUTE,
THE "SANYODO HIGHWAY" PASSES DIRECTLY THROUGH BIZEN. IN SUMMARY, THE CONDITIONS
IN BIZEN WERE ABSOLUTELY IDEAL, FOR "SWORD MAKING". IT IS ESTIMATED THAT MORE THAN
"33 %" OF THE FINEST KOTO BLADES THAT REMAIN TODAY, ARE FROM BIZEN PROVINCE!
"BIZEN", IS CREDITED WITH THE HIGHEST SWORD PRODUCTION STATISTICS, IN THE
HISTORY OF JAPAN.
THE "SODEN ( SHOSHU DEN ) BIZEN" MON
FOUNDED IN: "YOSHINO-CHO" ERA 1336 ~ 1392
"BIZEN KANEMITSU", HEAD OF GROUP.
WHEN "KANEMITSU WAS INVITED TO STUDY WITH, AND BECAME A STUDENT OF "MASAMUNE",
IN "GEN-O" 1319, AT THE AGE OF "42" YEARS. "MASAMUNE" WAS THE MOST FAMOUS MAKER
OF HIS DAY. IT IS HIGHLY UNLIKELY THAT "KANEMITSU" WAS AWARE OF THE
SIGNIFICANT POSITIVE IMPACT THAT THIS WOULD HAVE ON THE ART OF SWORD MAKING.
THESE STUDIES RESULTED IN HIS BECOMING THE "HEAD OF THE "SODEN BIZEN" GROUP. THE
OTHER LEADERS WERE; "CHOGI" - NAGAYOSHI (ALSO A STUDENT OF "MASAMUNE"), AND "KANENAGA"
- NENCHO. THE SCHOOL FLOURISHED DURING THE "YOSHINO-CHO" ERA.
"MASAMUNE" WAS CONSIDERED BY THE "ENTIRE NATION", TO BE UNQUESTIONABLY THE
FINEST SWORD MAKER IN JAPAN, AND ONE OF THE GREATEST MAKERS WHO EVER LIVED. FOR
A "LIVING ARTIST" TO ACHIEVE THIS STATUS, NATIONWIDE, IS PERHAPS THE GREATEST
HONOR THAT COULD HAVE BEEN BESTOWED UPON HIM. THE PRESENTATION OF ONE OF HIS
BLADES, WAS CONSIDERED TO BE THE MOST SIGNIFICANT GIFT THAT COULD BE PRESENTED,
BY "EMPERORS", AND "SHOGUN'S".
"BIZEN KANEMITSU", WAS UNDOUBTEDLY AMONGST THE FOREMOST MAKERS OF HIS DAY, AND
THAT EVER LIVED. IT IS RECORDED THAT HE WAS BORN IN "KO-AN" 1278 AD., AND DIED
IN "EN-BUN" 1356 AD., AT THE AGE OF "83"! HE WAS THE SON, AND STUDENT OF ONE OF
THE MOST IMPORTANT OF ALL BIZEN MAKERS, "KAGEMITSU" (SOME OF THE OLD RECORDS
INDICATE THAT "KAGEMITSU" WAS ALSO THE FATHER OF "YOSHIKAGE"). HIS POPULARITY
NEARLY EQUALED THAT OF "MASAMUNE", ESPECIALLY IN HIS NATIVE BIZEN PROVINCE. HIS
WORKS WERE WELL KNOWN FOR THERE EXCEPTIONAL BEAUTY, AND FUNCTIONALLY. THEY WERE
ALSO THE SUBJECT OF MUCH FOLKLORE. THERE ARE BLADES BY "KANEMITSU" THAT ARE
NAMED; "KABUTOWARI" ( THE HELMET CUTTER ), "ISHIKIRI" (THE STONE CUTTER), AND
"TEPPO KIRI" ( THE GUN CUTTER ). ONE STORY SIGHTS AN INCIDENT ( PROBABLY
FICTIONAL ) WHEN DURING THE COURSE OF A BATTLE A SAMURAI WAS CUT WITH A
KANEMITSU BLADE. THE CUT WAS SO CLEAN, AND PAINLESS THAT THE MAN SWAM ACROSS A
RIVER IN RETREAT. WHEN HE ATTEMPTED TO CLIMB FROM THE WATER, HIS BODY FELL TO THE
SHORE IN TWO HALF'S! THIS IS ONLY ONE OF MANY SUCH STORIES, THAT ATTEST TO THE
SHARPNESS, AND CUTTING ABILITY OF THE BLADES OF "KANEMITSU".
Jūyō-tōken at the 17th jūyō shinsa held on July 4, 5, and 6, 1968
katana, mumei: Den Yoshikage (伝義景)
Aichi Prefecture, Yonekawa Tadao (米川忠男)
nagasa 69.1 cm, sori 1.8 cm, motohaba 3.3 cm, sakihaba 2.7 cm, kissaki-nagasa 6.1 cm, nakago-nagasa 17.5 cm, only very little nakago-sori
Keijō: shinogi-zukuri, iori-mune, wide mihaba, thin kasane, shallow sori, ō-kissaki
Kitae: itame with a midare-utsuri
Hamon: ko-notare in ko-nie-deki that is mixed with ko-gunome, ko-chōji, ko-ashi, and sunagashi
Bōshi: midare-komi with a maru-kaeri and hakikake
Horimono: on both sides a bōhi that ends in marudome
Nakago: ō-suriage, kirijiri, kiri-yasurime, three mekugi-ana, mumei
This is an ō-suriage mumei katana with a wide mihaba, a shallow sori, and an ō-kissaki and which thus show the typical shape of the Nanbokuchō period, and with the hamon being composed of rather small dimensioned elements and being hardened in ko-nie-deki, we arrive at a Sōden-Bizen work that shows features which attributes it within this group to Yoshikage.
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